Q&A: what is a good digital drawing pad for mac?
Question by Chris P: what is a excellent digital drawing pad for mac?
i’m just starting to get graphic design. I was looking to buy a digital drawing pad that works for a mac. my budget is between $ 150 – $ 300. Any recommendations?
Best answer:
Answer by totalrandomness21
All Wacom tablets work for macs. If you’re a beginner, I’d start with a 6×8 bamboo. they’re slightly cheaper and simpler to use than the Intuos as they have less functions and sensitivity and are simpler to get used to. In a few years you can upgrade to an Intuos or Cintiq
Give your answer to this question below!
Buying A Laptop
Buying A Laptop
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
BUYING A LAPTOP
Size Matters
Size and weight are vital considerations when buying a laptop. If you travel a lot, opt for a laptop that is light in weight. Weights of laptops range from one to four kg. While checking the weight, include everything you will carry along with the notebook, such as the power adaptor or any external drives.
See Your Screen
The size of the show screen directly affects the size, and in most cases, the weight, of the notebook. The larger the screen, the bulkier the notebook. A bulky notebook will be a problem to use in cramped locations such as in an airplane.
Power Struggle
Though performance is not the most vital criterion while purchasing a notebook, make sure you get enough horsepower for the applications you use or plot to use. While 256 MB of RAM should suffice for most, power users should opt for at least 512 MB.
All Work And No Play?
If you want to play 3D games, or plot to use your laptop for some graphics-intensive applications, opt for a model that features excellent-quality graphics. Options available include Mobility Radeon 7500, 9700 and GeForce FX Go5200. These will give you better graphics as compared to commonly-used platforms.
Go Wirefree
Most notebooks today offer Wi-Fi capabilities. Check the Wi-Fi standard supported by the model you are considering for buy. An 802.11 b/g device will give you higher data throughput as compared to 802.11b.
Upgrade
Check if the notebook is upgradeable at a later stage. Some options to look for when upgrading your laptop are the RAM, the CPU, and the hard drive. Are the upgrades something you can do yourself, or do they require visits to a service centre?
Build Quality Is Vital
Since laptops are meant to be carried around, excellent build quality is essential. Opt for a notebook that has a rugged build quality that can withstand jerks and shocks. The optical drive tray, the screen hinges and latch, the panel on top of the keyboard, and the overall casing are excellent indicators of build quality.
Warranty Issues
Warranty is also an vital consideration. Make sure you get a global warranty if you travel abroad frequently. Even if you don’t, make sure the service centre is easily accessible in terms of location and distance so you can get any problems
rectified quickly.
Optical Drives
Most notebooks these days come with a DVD/CD-RW combo drive by default. Make sure the notebook you plot to buy has a combo drive if not a DVDWriter. A combo drive will enable you to read DVDs as well as write CDs.
Optical Drive Location
Check for the location of the optical drive. An optical drive placed in the front may be a hindrance while working in cramped spaces, or when the notebook is placed on your lap.
Wider Is Better
Notebooks that come with wide screens offer a better movie-viewing experience. They are also useful while working with large spreadsheets. Also, look for decent quality integrated speakers if you want to delight in movies and music on the go.
Hot Laps
Make sure the notebook you plot to buy does not get too hot after a while. A hot laptop on your lap may pose a serious health risk!
Storage
Most notebooks come with 40 GB hard drives. If this does not seem enough, see if you can get an upgrade to a larger capacity hard drive. The drive’s rotational speed also impacts performance. While 4200 rpm drives are the most common, look for higher rpm hard drives for better performance.
Go Legal
When purchasing a laptop, make sure it comes with legal software. Some vendors may not provide you with legal copies of the software. Verify that the software that comes with your laptop is on an original CD, and has a software license or registration number.
Laptop Drivers
Check and make sure you get all the required drivers on a disk along with the laptop. A recovery disk is also preferable, and will come in handy in case of a system crash.
Connectivity Options
The available ports on a notebook will define the types and number of peripheral devices you can connect. Most notebooks come with 56K modems and at least 10/100 Ethernet integrated, so the notebook will have RJ11 and RJ45 ports for connecting a telephone cord and a network cord respectively. Typically, you should look for at least two USB ports, a parallel port to connect a printer, a VGA port for connecting a projector or an external monitor, and Audio Out and Mic In ports to connect speakers and a microphone respectively. PC card slots are also essential, and you should check the types of PC cards that are supported. An infrared port, if available, will let you connect compatible devices such as cell phones to your notebook, while a FireWire port lets you connect digital such devices as video cameras. Look for these ports if you feel you will require them even at a later stage. Additional ports such as S-video out are also welcome!
One-handed Operation
Some notebook models, especially those with larger screens, come with two latches that will require you to use both your hands to open the device. This may be inconvenient in some situations, for instance, when you are speaking on the phone. Look for a laptop that has a single latch.
Touch The Pad
Most notebooks these days feature touchpads. Make sure the laptop you plot to buy has one that is large and offers smooth and jerk-free control of the pointer. Some notebooks also provide pointing sticks as the pointing device. Go for one with which you are most comfortable.
Memory Card Reader
If you own a digital camera or any other device that uses a memory card (such as SD, MMC, CF or Memory Stick), it makes sense to buy a notebook that has an inbuilt memory card reader. This way, you can transfer data to and from the card without the need to buy a separate memory card reader. Check whether the card reader in the notebook is compatible with the type of memory card you use.
Ease Of Use
Some notebooks feature scroll keys along with the touchpad keys to enable vertical and/or horizontal scrolling in large documents. Some also feature hotkeys for launching your favourite applications.
Additional Features
Additional features, including integrated Bluetooth, biometric security, keyboard light and integrated Web cams, are offered in some models. Since these extra features also affect the pricing of the laptop, opt for one that has the features you need.
Shortcuts To Success
Make shortcuts to your most commonly used applications, folders and files on the desktop. This way, you can access them quickly. If you like your desktop clutterfree, you can also make custom toolbars in Windows XP. To do this, right click on the Windows taskbar, go to ‘Toolbars’ and click on ‘New Toolbar’. Next, choose the drive or folder you want to access using the toolbar. You can make different toolbars for different drives and folders. To remove a toolbar you added, right click on the Windows taskbar, go to ‘Toolbars’, and uncheck the toolbar. This is useful for sales executives who want simple access to presentations, proposals and other information on a day-today basis.
Boot Quicker
To make your notebook boot quicker, remove unwanted programs from startup. To do this, go to Start > Run, type “msconfig” and press [Enter]. Go to the Startup tab and uncheck any programs you do not need. Click on ‘OK’ and then click on ‘Exit’ without restarting. The unchecked programs will not run the next time you boot.
Clean Up The Junk
Uninstall any applications you do not use. Apart from saving on disk space, you will also prevent your notebook from slowing down.
Be Resourceful
Keep backups of the operating system, drivers and commonly used applications on a secondary partition so that you can do some re-installing on your own if you face some issues while travelling. Carry driver CDs and recovery disks with you.
Prevention Is Better Than Cure
Since a notebook may be connected to different networks, such as at a client’s office, for example, it is essential you use a excellent anti-virus and firewall software. Update your virus definitions frequently. An anti-spyware program is recommended.
Don’t Be A Jerk
Be careful while carrying the notebook. Do not subject it to any jerks and shocks. This will avoid hurt to your hard drive and the precious data on it. Preferably, power the notebook off before moving it from one place to another.
Dusty Notebooks Don’t Impress
Protect your laptop from dust. Clean your laptop regularly to prevent dust accumulation. Do not leave your notebook on the floor and make sure all vents are clean to enable excellent air flow.
Drinks And Laptops Don’t Mix
Avoid having beverages while working on your laptop. Do not place any containers filled with hot or cold beverages near your notebook, to minimize chances of a spill.
Protect Your Laptop
Do not leave your notebook unattended in a car or in a client’s office. Be careful when going to a restaurant or when using public transport.
Backup, Backup, Backup!
Keep
The Mask speed painting by Damien Rowe
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
done with a laptop touch pad ,no underline drawing,no graphic tablet,no mouse, music is the mask ost artelo.deviantart.com
Video Rating: 4 / 5
Hard Disk Drive
Hard Disk Drive
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
History
Main article: History of hard disk drives
HDDs (introduced in 1956 as data storage for an IBM accounting computer) were originally developed for use with general purpose computers. During the 1990s, the need for large-scale, reliable storage, independent of a particular device, led to the introduction of embedded systems such as RAIDs, network attached storage (NAS) systems, and storage area network (SAN) systems that provide efficient and reliable access to large volumes of data. In the 21st century, HDD usage expanded into consumer applications such as camcorders, cellphones (e.g. the Nokia N91), digital audio players, digital video players, digital video recorders, personal digital assistants and video game consoles.
Technology
Diagram of a computer hard disk drive
HDDs record data by magnetizing ferromagnetic material directionally, to represent either a 0 or a 1 binary digit. They read the data back by detecting the magnetization of the material. A typical HDD design consists of a spindle that holds one or more flat circular disks called platters, onto which the data are recorded. The platters are made from a non-magnetic material, usually aluminum alloy or glass, and are coated with a thin layer of magnetic material, typically 1020 nm in thickness for reference, standard copy paper may be between 0.07 millimetres (70,000 nm) and 0.18 millimetres (180,000 nm) thick. with an outer layer of carbon for protection. Older disks used iron(III) oxide as the magnetic material, but current disks use a cobalt-based alloy.[citation needed]
A cross section of the magnetic surface in action. In this case the binary data are encoded using frequency modulation.
The platters are spun at very high speeds. Information is written to a platter as it rotates past devices called read-and-write heads that operate very close (tens of nanometers in new drives) over the magnetic surface. The read-and-write head is used to detect and modify the magnetization of the material immediately under it. There is one head for each magnetic platter surface on the spindle, mounted on a common arm. An actuator arm (or access arm) moves the heads on an arc (roughly radially) across the platters as they spin, allowing each head to access nearly the entire surface of the platter as it spins. The arm is went using a voice coil actuator or in some older designs a stepper motor.
The magnetic surface of each platter is conceptually divided into many small sub-micrometre-sized magnetic regions, each of which is used to encode a single binary unit of information. Initially the regions were oriented horizontally, but beginning about 2005, the orientation was changed to perpendicular. Due to the polycrystalline nature of the magnetic material each of these magnetic regions is composed of a few hundred magnetic grains. Magnetic grains are typically 10 nm in size and each form a single magnetic domain. Each magnetic region in total forms a magnetic dipole which generates a highly localized magnetic field nearby. A write head magnetizes a region by generating a strong local magnetic field. Early HDDs used an electromagnet both to magnetize the region and to then read its magnetic field by using electromagnetic induction. Later versions of inductive heads included metal in Gap (MIG) heads and thin film heads. As data density increased, read heads using magnetoresistance (MR) came into use; the electrical resistance of the head changed according to the strength of the magnetism from the platter. Later development made use of spintronics; in these heads, the magnetoresistive effect was much greater than in earlier types, and was dubbed “giant” magnetoresistance (GMR). In today’s heads, the read and write elements are separate, but in close proximity, on the head part of an actuator arm. The read element is typically magneto-resistive while the write element is typically thin-film inductive.
HD heads are kept from contacting the platter surface by the air that is extremely close to the platter; that air moves at, or close to, the platter speed.[citation needed] The record and playback head are mounted on a block called a slider, and the surface next to the platter is shaped to keep it just barely out of contact. It’s a type of air bearing.
In modern drives, the small size of the magnetic regions makes the danger that their magnetic state might be lost because of thermal effects. To counter this, the platters are coated with two parallel magnetic layers, separated by a 3-atom-thick layer of the non-magnetic element ruthenium, and the two layers are magnetized in opposite orientation, thus reinforcing each other. Another technology used to overcome thermal effects to allow greater recording densities is perpendicular recording, first shipped in 2005, and as of 2007 the technology was used in many HDDs.
This section may require cleanup to meet Wikipedia’s quality standards. Please improve this section if you can. (December 2009)
The grain boundaries turn out to be very vital in HDD design. The grains are very small and close to each other, so the coupling between adjacent grains is very strong. When one grain is magnetized, the adjacent grains tend to be aligned parallel to it or demagnetized. Then both the stability of the data and signal-to-noise ratio will be sabotaged. A clear grain boundary can weaken the coupling of the grains and subsequently increase the signal-to-noise ratio. In longitudinal recording, the single-domain grains have uniaxial anisotropy with simple axes lying in the film plane. The consequence of this arrangement is that adjacent magnets repel each other. Therefore the magnetostatic energy is so large that it is hard to increase areal density. Perpendicular recording media, on the other hand, has the simple axis of the grains oriented perpendicular to the disk plane. Adjacent magnets attract to each other and magnetostatic energy are much lower. So, much higher areal density can be achieved in perpendicular recording. Another unique feature in perpendicular recording is that a soft magnetic underlayer are incorporated into the recording disk. This underlayer is used to conduct writing magnetic flux so that the writing is more efficient. This will be discussed in writing process. Therefore, a higher anisotropy medium film, such as L10-FePt and rare-earth magnets, can be used.
Error handling
Modern drives also make extensive use of Error Correcting Codes (ECCs), particularly Reedolomon error correction. These techniques store extra bits for each block of data that are determined by mathematical formulae. The extra bits allow many errors to be fixed. While these extra bits take up space on the hard drive, they allow higher recording densities to be employed, resulting in much larger storage capacity for user data. In 2009, in the newest drives, low-density parity-check codes (LDPC) are supplanting Reed-Solomon. LDPC codes enable performance close to the Shannon Limit and thus allow for the highest storage density available.
Typical hard drives attempt to “remap” the data in a physical sector that is going terrible to a spare physical sectoropefully while the number of errors in that terrible sector is still small enough that the ECC can completely recover the data without loss. The S.M.A.R.T. system counts the total number of errors in the entire hard drive fixed by ECC, and the total number of remappings, in an attempt to predict hard drive failure.
See also: file system
Architecture
A hard disk drive with the platters and motor hub removed showing the copper colored stator coils surrounding a bearing at the center of the spindle motor. The orange stripe along the side of the arm is a thin printed-circuit cable. The spindle bearing is in the center.
A typical hard drive has two electric motors, one to spin the disks and one to position the read/write head assembly. The disk motor has an external rotor attached to the platters; the stator windings are fixed in place. The actuator has a read-write head under the tip of its very end (near center); a thin printed-circuit cable connects the read-write head to the hub of the actuator. A flexible, somewhat ‘U’-shaped, ribbon cable, seen edge-on below and to the left of the actuator arm in the first image and more clearly in the second, continues the connection from the head to the controller board on the opposite side.
The head support arm is very light, but also rigid; in modern drives, acceleration at the head reaches 550 Gs.
Opened hard drive with top magnet removed, showing copper head actuator coil (top right).
The silver-colored structure at the upper left of the first image is the top plate of the permanent-magnet and moving coil motor that swings the heads to the desired position (it is shown removed in the second image). The plate supports a thin neodymium-iron-boron (NIB) high-flux magnet. Beneath this plate is the moving coil, often referred to as the voice coil by analogy to the coil in loudspeakers, which is attached to the actuator hub, and beneath that is a second NIB magnet, mounted on the bottom plate of the motor (some drives only have one magnet).
The voice coil, itself, is shaped rather like an arrowhead, and made of doubly-coated coppmagnet[clarification needed] wire. The inner layer is insulation, and the outer is thermoplastic, which bonds the coil together after it’s wound on a form, making it self-supporting. The parts of the coil along the two sides of the arrowhead (which point to the actuator bearing center) interact with the magnetic field, developing a tangential force that rotates the actuator. Current flowing radially outward along one side of the arrowhead, and
Korg – Vertical slurry pump EVR-100R – Slurry Pump EHM manufacturer
Korg – Vertical slurry pump EVR-100R – Slurry Pump EHM manufacturer
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
Company history
Founded in 1962 in Japan by Tsutomu Kato and Tadashi Osanai, Korg was originally known as Keio Electronic Laboratories (?) because its fledgling offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato’s club accompanied by a Wurlitzer Sideman rhythm machine. Unsatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.
The company’s first product, released in 1963, was an electro-mechanical rhythm device called the Disc Rotary Electric Auto Rhythm machine Donca matic DA-20. Buoyed by the success of the DA-20, Keio released a solid-state version of the Rhythm machine, the Donca matic DE-20, in 1966.
In 1967, Kato was approached by Fumio Mieda, an engineer who wanted to build keyboards. Impressed with Mieda’s enthusiasm, Kato questioned him to build a prototype and 18 months later Mieda returned with a programmable organ. Keio sold the organ under the name Korg, made from combining keio with organ.
Keio’s organ products were successful throughout the late 1960s and early 1970s but, concerned about the competition from other huge organ manufacturers, Kato chose to use the organ technology to build a keyboard for the then-niche synthesizer market. Keio’s first synthesizer, the MiniKorg, was thus released in 1973.
Following on the success of the Mini-Korg, Keio released a number of budget-minded synthesizers throughout the 1970s and 1980s under the name Korg.
Korg subsequently branched out into the music recording and electric guitar effects market, with some success.
Yamaha Corporation has always been a major partner of Korg, supplying them with circuitry and mechanical parts. In 1987, shortly before the release of the M1 Music Workstation, Yamaha bought a controlling interest in Korg’s stock. The takeover of the company was amicable, with Kato drawing up the terms, and the two companies continued to independently develop their product lines and compete in the marketplace. After the following 5 very successful years, Kato had enough money to rebuy most of the Yamaha share back in 1993.
Timeline of major products
1963 – Donca-Matic DA-20
1966 – Donca-Matic DE-20
1973 – Korg Mini-Korg 700
1975 – Korg 900PS
1975 – Korg WT-10: World’s first hand-held electronic tuner
1975 – Korg Maxi-Korg 800DV
1977 – Korg PS-3100, PS-3300
1978 – Korg MS-10/MS-20, PS-3200
1978 – Korg VC-10 Vocoder
1979 – Korg M-500 Micro Preset
1979 – Korg CX-3: One of the first and most authentic Hammond B-3 clones ever produced.
1980 – Korg MP-4 Mono/Poly
1981 – Korg Polysix
Poly-61
1983 – Korg Poly-61: The successor of the Polysix with digitally-controlled analog oscillators; Korg’s first “knobless” synthesizer
1983 – Korg Poly-800: First fully programmable synthesizer that sold for less than 00, notable for using digitally-controlled analog oscillators and sharing a single filter for all 8 voices
1983 – Korg SAS-20: The SAS-20 was Korg first arranger keyboard. A built-in computer analyzed the melody played on the keyboard, and generated a complex accompaniment. This was the world first auto-accompaniment function of this kind added to a keyboard. Also, a more traditional chord recognition system was included.
1985 – Korg DW-8000: 8-voice polyphonic, user selected two digital waveforms out of 16 total. Used an analog filter.
1985 – SuperDrums and SuperPercussion: Low-cost digital drum machines
1986 – Korg DSS-1: Korg’s first sampling keyboard. Offered additive synthesis, waveform drawing and effects, with an analog filter and some similarities to the DW-8000.
1986 – Korg DS-8: Expandable FM synthesizer
1988 – Korg M1: PCM rompler with built-in effects and sequencer, the M1 introduced many to the concept of a Music Workstation, a keyboard that could handle live performance, MIDI, sequencing, expandable sound banks, effects, and more in a single package.
1989 – Korg T series (T1/T2/T3): Some improvements over the M1 with added features.
1990 – Korg Wavestation: Vector synthesis and Wave Sequencing
1991 – Korg O1/W: PCM rompler with more waveforms and effects than the M1
1991 – Korg Wavestation EX
1991 – Korg Wavestation A/D
1992 – Korg Wavestation SR
1993 – Korg X3 / Korg X2 / Korg X3R: Music Workstation
1993 – Korg i3 Interactive Music Workstation: Korg introduced its first professional arranger in 1993 with the i3 model, which proved to be the first in a huge series of Korg ‘interactive’ products. Until that time the auto-accompaniment keyboards were designed primarily for home use, but i3 changed that. Its tone generator was an AI2 engine coming from the renowned Korg synths, which made it a perfectly usable ‘pro’ keyboard. Once again, a Korg keyboard succeeded because of the quality of its factory voicing. It also retained a multitrack MIDI sequencer, Styles and Arrangements that allowed players to use it as a band-in-a-box or compositional tool, improved chord recognition with a huge graphical show, a joystick and analog volume controls for each accompaniment section. A new Backing Sequence feature provided also for simple creation of new songs based on styles.
1994 – Korg X5
1994 – Korg i2: Korg introduced the i2, an i3 “on-steroids” with a 76-note keyboard and a new Piano sound.
1995 – Korg i1: In 1995 a further improved version of i3 was introduced: the Korg i1, that included an 88-note weighted keyboard, a huge piano sample, and built-in speakers. Other features were similar to the i3, even if new styles were added.
1995 – Korg i4S: The i4S (where “S” stays for “Speakers”). This keyboard was something like an i3 with speakers, but with a smaller feature set.
1995 – Korg i5S: The i5S was a scaled-down version of the i4S, with a plastic chassis and a reduced set of features. Some new sounds and styles were added.
1995 – Korg i5M: A module called i5M was also introduced, with specifications similar to the i5S, but with no amplification and, obviously, no keyboard and joystick. This product was really appreciated by accordionists, pleased to learn at its heart some added traditional styles and sounds (shared with the i5S).
1995 – Korg ih: In 1995, singers also welcomed the “ih Interactive Vocal Harmony”, that allowed for creation of vocal harmonizations, starting from chords played live in Style mode, or recorded in a Song’s track. This unit is still a best-seller on the second-hand market, thanks to its brilliant price/quality ratio.
1996 – Korg Prophecy: One of the first successful virtual analog synthesizers
1996 – Korg Trinity: The most vital workstation release since the M1 nearly 10 years earlier.
1996 – Korg N364/264: Introduced RPPR
1996 – Korg X5D
1997 – Korg Z1: Providing a new technology: MOSS (Multi-Oscillator Synthesis System)
1997 – Korg iX300: The iX300 Interactive Music Workstation was introduced, back to a unit without speakers but offering new sounds and more than 100 styles.
1998 – Korg iS40: iS40 included new sounds (among them, a gorgeous stereo piano sample), new styles (128), and several new features. One of the most appreciated new features, Keyboard Sets, allowed for immediate recalling of keyboard track settings.
1998 – Korg iS50: iS50 was the low cost version of iS40, lacking just a minor number of features from its larger sibling.
1998 – Korg i30: The i30 Interactive Music Workstation was introduced, claiming to be the first arranger featuring a Touch Screen Show. This model was speakerless, 64 notes of polyphony, and included some more sounds compared to the iS40.
1998 – Korg N1/N5: The N1/N5 was introduced as a low cost workstation-keyboard version of the Korg NS-5R sound module. The N5′s key feature was its weighted keys.
1999 – Korg Triton: Successor to the Korg Trinity. Korg’s greatest selling keyboard to date. Korg’s first keyboard to offer sampling since the DSS-1 from 1986.
1999 – Korg Kaoss Pad, Electribe dance synthesizers
1999 – Korg i40M: Korg introduced a successor to the i5M: the i40M module. Specifications were similar to the iS40 (obviously, with no keyboard or joystick), but included a Vocal Harmonizer as standard. Furthermore, the module included 3 different pre-programmed MIDI setups, to make connection with various accordions even simpler.
1999 – Korg iS35: iS35 was a new version of the iS40, featuring the same specifications, and adding a Vocal Harmonizer as standard.
1999 – Korg iS50B: iS50B boasted the same specs as the iS50, but in a Dark Blue chassis.
2000 – Korg CX-3: Not to be confused with Korg’s CX-3 from 1979. This digital modeling organ added MIDI and many new features.
2000 – Korg MS-2000
2000 – Korg Pa80: A new range of arranger from Korg was introduced in year 2000: the Pa Series. Pa80 was the first model introduced in December 2000 with a stunning sound inherited from the award-winning, Triton, a wide selection of highly-musical Styles made by some of the best musicians in the world, a Multitasking Operating System and a revolutionary Dual Sequencer design. This new keyboard brought the benefits of Korg’s stunning songwriting and music production/performance to a whole new generation of musicians.
2001 – Korg KARMA featuring a form of arpeggiator more elastic and musical than previous forms
Korg KARMA
2001 – Korg Triton Studio featuring an onboard cdr drive
2002 – Korg Pa60: The new Pa60 Professional Arranger was introduced. Apart
Tips for Successful Freelance Design
Tips for Successful Freelance Design
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
Rob Cubbon writes
Meeting the client
Spend a small money on your clothes and briefcase or portfolio-type bag to make a excellent impression. People may deny it but they will always reckon: expensive clothes, lots of money, doing well, excellent designer. Dress smartish, but not trendy – no one likes trendy designers.
When you meet the client, I would always advise you to smile at the first moment and look them directly in the eye. Of course, some studios and work places can be serious and aggressive and it is probably not a excellent thought walking around them with an inane smile.
But first impressions count and I have always found it best to try to be disarmingly friendly first. Don’t go over-the-top but try to give this impression “I was pleased before this moment, I’m pleased now and I’d be pleased working with you in the future”.
Taking the brief
This can be the moment where everything goes incorrect so pay attention.
A brief is where someone who knows a subject very well clarifies it to someone who knows nothing about it. For this reason it is staggeringly common that the briefer will omit something very vital or, just as common, spend ages talking about past events that are really irrelevant to the job in hand. But keep listening.
One has to maintain the eye contact, look interested and, where possible “mirror” your client’s posture and movements. By this I mean if your client is sitting up straight, sit up straight. If your client is nodding, nod with them. If they smile, smile. If they look serious, look serious. If your client is poor at maintaining eye contact then be careful not to look at him/her too closely.
Be on a level and equal to your client in every way. So try to make sure your eyes are level with his. Do not “tower above” or “cower below” the client. And keep listening.
And all this time your brain in the background is churning away thinking. You need to know the parameters and if the client has omitted to tell you anything it will be about the extent of them. You also need to know the target audience and, of course, what it’s trying to achieve.
So reckon, size – can I choose the size or format? Colours – can I choose the colours or do I use the corporate ones? Fonts? Corporate fonts or can I choose them? Illustration? What sort of graphic device can I use to illustrate the piece? What style of photography, illustration, montage, etc? Message? What is the hero? What have I to communicate?
If the brief is written you have no excuses: read it again and again, read it in the middle of the project and read it towards the end. It’s incredible how many times people miss the simple things in a brief.
Never, during any stage of the design process, forget the brief.
Don’t jump into the job
So you’ve got the brief and you know what the client wants you to communicate. Now what? Sit down and reckon about something else.
The problem with the creative mind is it rarely works when it is supposed to. You find you either get your best thought immediately or suddenly days later during an idle moment it’ll hit you like a meteorite … The Most Amazingly Excellent Thought.
So don’t reckon about the subject … reckon around the subject.
Use the internet to aid lateral thinking
Creatives are paid fortunes to reckon laterally, to come up with a word or an image that no one else has thought of. But now we have the most incredible lateral thinking resource at our fingertips – the internet.
You have dictionaries and thesauruses to help you with words. There are directories of English idioms and expressions which are particularly helpful with advertising copy. But, my personal favourite internet aid to lateral thinking is image searching.
One of the most hard but potentially the most creative and fun thing can be illustrating abstract notions. Try putting an abstract term that complies with your brief (maybe empty, separation, togetherness, contrast, like, despise, rage, comfort) into a stock photography site’s search engine and see if it gives you any thoughts. Don’t forget normal search engine’s images searches like Google or Yahoo! They are getting better and better and give you a different option to the staid stock image.
Computers don’t have the associations with words that we do. They just dispassionately match the word we type in. Reckon of all the times you’ve had a search fail. It’s these “failures” that can spark an un-thought-of angle that could really make a campaign.
Logo design
Type the client’s name into a font application program like Suitcase and you will immediately see it in many different typefaces. Try all the different combinations of upper and lower case.
When scribbling on your pad remember to use all sorts of different writing materials to give you an thought. Pens, pencils, markers, felt tip, charcoal, whatever you can get your hands on. If you are right-handed write the logo name with your left hand a few times. Get colleagues to write it down as other people’s handwriting may give you an thought.
Use the abstract image search thought above to give you angles for icon or symbol thoughts.
Illustration
The style of photography and/or illustration may be covered in the brief or may be up to you but either way try to push the boundaries a bit.
We all have our favorite stock photo libraries but try others – and don’t forget the internet image search. Try to pick anything but the obvious image.
Remember the CS versions of Adobe Illustrator have a live trace tool which can re-draw any image in vector form which you can present as a quick fix illustration negating the need to commission.
Don’t forget that illustration and photography can be combined.
And reckon simple. Simple and iconic always sells.
Whilst designing
It’s vital not to fall in like with one of your designs. It can be very simple to be wedded to an thought or a design and convince yourself of its brilliance, especially if you are working in isolation.
All feedback is excellent feedback. So question anyone, your other half, the kids, the janitor, your opponent what they reckon. It may be you’ve spent ages perfecting a headline that’s spelt incorrect!
Presentation
Here comes the moment where it all counts. You are going to present your thoughts.
Present your work as well as you possibly can. Get the nicest printouts and mount them onto boards of equal size.
If your presenting on screen do so on the largest one available and in a way that covers the whole screen not with an untidy desktop in the background.
If you are presenting a website, maximise the browser window. If you are presenting in Photoshop hit the tab button to get rid of all the hideous palettes and hit the F key to get rid of the desktop.
If sending thoughts as a PDF, set the initial view in the Document Properties to Fit Page or Open in Full Screen mode. First impressions count.
Always present your thoughts one-by-one. Never lay them all on the table at once.
Start with your weakest thought first and end with the strongest. Always keep something up your sleeve if the client doesn’t like an thought.
Pretend you are the manager of the swankiest boutique in the world showing a billionaire the most flawless diamond ever.
Rob Cubbon
Trendy Camera-Bag-Look with Crumpler
Trendy Camera-Bag-Look with Crumpler
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
A bag serves as the receptacle to different items. Commonly, it is made from leather, cloth or paper which can easily be opened and closed. Bags are usually used by students at school. Bags also have made a excellent name from sports enthusiasts. With individuals drawing its attention to the benefits a bag can bring them, photo enthusiasts also founds the importance of a bag in their field.
A camera bag is an accessory which is often ignored yet provides excellent benefits to its users. The main function of a camera bag is to protect your camera from external aspects such as the extreme heat of the sun, rainfall, dust, and most importantly scratches. Moreover, a camera bag safeguards your camera from the possibility to incur heavy hurt if you accidentally trip over or when the camera has been by chance dropped.
Protection is not the sole benefit you can gain from having a camera bag. It also serves as a container to other camera-related paraphernalia such as batteries and roll of films.
With the many benefits one can get from obtaining a camera bag, these days some manufacturers combine benefits with style. One excellent example are Crumpler bags.
Crumpler bags originated in Melbourne and it is presently recognized in Japan and the United States. There are five types of Crumpler bags which you can choose from.
1. Crumpler Thirsty Al – This type of bag have three uses. You have the choice to use it as a camera bag. Whenever you are free from getting pictures, you have the option to use the Crumpler Thirsty Al as a belt pouch where you can place small camera items. If you reckon that a shoulder bag will be more chic, then you can turn it to the way you like it.
2. Crumpler John Thursday Bags – Indeed, you can opt to use this type of bag during Thursdays. This is a dual-purpose bag. You can use it as a camera bag and as a belt pouch.
3. Crumpler The Bundle Shoulder Bags – if you want to keep your camera equipments away from thieves then this type of bag is meant for you. This type of Crumpler bag does not showcase to the public that you are carrying a valuable camera inside it.
4. Crumpler Million Dollar Home Bags – this is intended for storage of camera and its lenses. The materials used for this type of Crumpler bag is designed to provide utmost protection with high-quality pads for the lenses since it can easily be broken.
5. Crumpler Stamp Claimer – this can be considered an all-in-one camera bag where you can store not only the camera itself but its lens and accessories.
Crumpler camera bags come in different colors to suit your preference. All you need to do is choose your desired color for your camera bag.
If you want handiness and style blended together in a camera bag, then Crumpler camera bags is the key to your need. Going online can offer you in-depth information regarding this type of camera bags. The Internet can also provide you with sample pictures of the bag, the available colors for the type of design, and most importantly the price of the types of camera bags available or being offered.
Bags may be just one of the many camera accessories but the advantage it brings is incomparable.
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
Animation done on an Amiga 500, using a digital drawing pad.
Video Rating: 0 / 5
Trendy Crumpler Camera Bags
Trendy Crumpler Camera Bags
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and
A bag serves as the receptacle to different items. Commonly, it is made from leather, cloth or paper which can easily be opened and closed. Bags are usually used by students at school. Bags also have made a excellent name from sports enthusiasts. With individuals drawing its attention to the benefits a bag can bring them, photo enthusiasts also founds the importance of a bag in their field.
A camera bag is an accessory which is often ignored yet provides excellent benefits to its users. The main function of a camera bag is to protect your camera from external aspects such as the extreme heat of the sun, rainfall, dust, and most importantly scratches. Moreover, a camera bag safeguards your camera from the possibility to incur heavy hurt if you accidentally trip over or when the camera has been by chance dropped.
Protection is not the sole benefit you can gain from having a camera bag. It also serves as a container to other camera-related paraphernalia such as batteries and roll of films.
With the many benefits one can get from obtaining a camera bag, these days some manufacturers combine benefits with style. One excellent example are Crumpler bags.
Crumpler bags originated in Melbourne and it is presently recognized in Japan and the United States. There are five types of Crumpler bags which you can choose from.
1. Crumpler Thirsty Al – This type of bag have three uses. You have the choice to use it as a camera bag. Whenever you are free from getting pictures, you have the option to use the Crumpler Thirsty Al as a belt pouch where you can place small camera items. If you reckon that a shoulder bag will be more chic, then you can turn it to the way you like it.
2. Crumpler John Thursday Bags – Indeed, you can opt to use this type of bag during Thursdays. This is a dual-purpose bag. You can use it as a camera bag and as a belt pouch.
3. Crumpler The Bundle Shoulder Bags – if you want to keep your camera equipments away from thieves then this type of bag is meant for you. This type of Crumpler bag does not showcase to the public that you are carrying a valuable camera inside it.
4. Crumpler Million Dollar Home Bags – this is intended for storage of camera and its lenses. The materials used for this type of Crumpler bag is designed to provide utmost protection with high-quality pads for the lenses since it can easily be broken.
5. Crumpler Stamp Claimer – this can be considered an all-in-one camera bag where you can store not only the camera itself but its lens and accessories.
Crumpler camera bags come in different colors to suit your preference. All you need to do is choose your desired color for your camera bag.
If you want handiness and style blended together in a camera bag, then Crumpler camera bags is the key to your need. Going online can offer you in-depth information regarding this type of camera bags. The Internet can also provide you with sample pictures of the bag, the available colors for the type of design, and most importantly the price of the types of camera bags available or being offered.
Bags may be just one of the many camera accessories but the advantage it brings is incomparable.
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and

Made – using an Amiga 500 and a digital drawing pad. And, for those that can remember, also using 1.44mb floppies.
Video Rating: 0 / 5
Auto Draw 2: Alice In Wonderland Mouse
computer drawing tablet and make positive changes to entire life? Many people went on the concept and really did it. Most are still dreaming and

www.jsr-productions.com Alice in Wonderland mouse ears alice carroll tale chapter adventures mouse costumes tears lewis wonderland mickey zazzle disney pad book said white costume rabbit illustration character amazon pads clubhouse swimming mousepad tale hat pool made long text down walt burton thinking hour sexy customize kaboodle cat inspired asp attwell art severely design classics house movies tim category collectibles dormouse box orders states party action minnie full tail cute hearts candy notes club make works digital film control shop name screensaver screensavers drawing draw art wallpaper wall paper autodraw 2 background
Video Rating: 0 / 5
Is it hard to get used to a digital drawing pad?
Question by : Is it hard to get used to a digital drawing pad?
I’m a talented illustrator, and I was thinking of switching over to a Wacom digital drawing tablet instead of skanning my traditional drawings (I’m making a cartoon). Is it really hard to get used to using a drawing pad, or does it basically feel the same as using a pen and paper?
Best answer:
Answer by KaylasaurusRex. (:
It really depends on the steadiness of the hand. For me it was pretty simple getting used to the digital drawing pad.
Add your own answer in the comments!
